Diegetic sonic behaviors applied to visual environments, a definition of the hybrid sound object and its implementations

1 Would like to thank all the people that helped this project to happen: To my dear Jiji for all her support, love and the Korean food. To my parents and my brother. 1.6.the noise perspective: Walter Murch and the sonic director 1.7.the video culture 1.8.the phenomenology of montage: Gustav Deutsch .>[First intermission]mise-en-scene and the visual cell 17 a.1.definitions a.2.speed and motion inside the shot a.3.time and mise-en-scene .>Chapter 2: elements of sound on audiovisual environments 19 2.1.sound inside the film 2.2.sound layers on cinema 2.3.use of sound layering on cinema 2.4.dimension of sound inside the audiovisual environment 2.4.1.first dimension: rhythm 2.4.2.second dimension: fidelity 2.4.3.third dimension: space 2.4.4.fourth dimension: time .>Chapter 3: diegetic field on narrative audiovisual environments 24 3.1.definitions 3.2.diegetic field and film reality 3.3.sound and the diegetic field 3.4.intra-diegetic and exo-diegetic sound 3.5.offscreen sources and the sonic perspective 3.6.new audiovisual technology and the diegetic field